Sunny
Opening with an ironic twist, Sunny lays out some decidedly un-sunny crashes sound tracked to Bobby Hebb’s 1966 eponymous hit. Crash segments in ski movies are usually a bitch... Read On
Filip Christensen’s film oeuvre over the last decade has been nothing less than stellar and with Being There he’s done it again, delivering a pretty well perfect 55 minutes... Read On
Saddled with a “journey on the road of life” theme that sounds as if it was voiced by Sam Elliott’s “Stranger” character from The Big Lebowski, One For The... Read On
After a bangin’ opening sequence featuring fast melting ice cut with Chris Cunningham caliber edits, the coloring all silver, white and slate, After Dark slides into a night ski... Read On
In previous movies like “Eyes Wide Open” and “Get Lucky”, director Filip Christensen’s visual style, his edits and his choice in soundtracks has always added up to stellar film-making.... Read On
Filip Christensen and his band of, largely, Scandinavian skiers go bigger, farther and spin more times than ever before. Christensen’s vision of what a ski film should look like... Read On
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