Supervention
Supervention’s two year production time was worth every bit of the wait. Up until two years ago, the production schedule for most ski movies was usually an annual affair. ... Read On
Supervention’s two year production time was worth every bit of the wait. Up until two years ago, the production schedule for most ski movies was usually an annual affair. ... Read On
Filip Christensen’s film oeuvre over the last decade has been nothing less than stellar and with Being There he’s done it again, delivering a pretty well perfect 55 minutes... Read On
In previous movies like “Eyes Wide Open” and “Get Lucky”, director Filip Christensen’s visual style, his edits and his choice in soundtracks has always added up to stellar film-making.... Read On
Filip Christensen and his band of, largely, Scandinavian skiers go bigger, farther and spin more times than ever before. Christensen’s vision of what a ski film should look like... Read On